I figured out Dead and Gone. This one is interesting, he uses a capo. In the studio it's on the 5th fret, but live it's on the 4th. I figure he brought it down a half step to put less strain on his voice.
Dm, Dsus4, Am, Asus4, Gm, Gmadd2, A
e|1----3----0----0----3----5---------|
B|3----3----1----3----3----3----2----|
G|2----2----2----2----3----3----2----|
D|0----0----2----2----5----5----2----|
A|----------0----0----x----x----0----|
E|--------------------3----3---------|
Remember, this is tabbed relative to the capo, so it's not actually in the key I wrote it in. For example, if you capo the 4th fret, the first chord is F#m, not Dm.
Fret the Gm chord with your thumb in the bass so you can more comfortably mute the A string with the tip of your middle finger, it also makes it easier to use the pinky for the add2. 0:42 seconds into the video I linked below shows a close up of his hand, hopefully that helps show what I'm trying to explain.
Sometimes he hits the open strings in between chords. It's not a new chord; don't let it confuse you. It looks something like this:
e|1-0-1-------|
B|3-0-3-------|
G|2-0-2-------|
D|0-0-0-------|
A|------------|
E|------------|
It doesn't really matter which open strings you hit, so don't worry about precisely aiming for all 4 strings; it's more of a feel thing. Usually you loosely aim for either the low notes or high notes in the chord, depending on if you're doing an upstroke or downstroke respectively. In this song he seems to randomize the upstrokes and downstrokes, depending on whatever he's feeling. Can't really tab stuff like that out properly.